Art is not only personal to the artist who created it but also to the person viewing it. I chose the piece “Doña Señorita ”: Matriarchal power enhancement. I was drawn to it initially because I love señorita bananas. At a deeper level, the piece makes me remember my home, my family.
As a librarian who is passionate about languages, literature, pedagogy, and research, I’m curious about how technology assists their study and practice. I’m also confident that technological innovation needs the critical and constructive perspectives of humanities students and scholars.
The day I started writing this essay, two students were killed in yet another high school shooting in the United States. This time it was in New Mexico. The day I came back to revise, a policeman had shot and killed a 6-year old boy in San Antonio.
Sherise Kimura reflects on an artifact as part of 10 x 10: Ten Objects, Ten Stories presented in conjunction with the Thacher Gallery exhibition Something from Nothing: Art and Handcrafted Objects from America’s Concentration Camps, August 21 – November 15, 2017.
In this post, assistant professor of English Samira Abdur-Rahman, moderator of the event, reflects on the themes of Passage by Khary Lazarre-White.
Ken Yoshioka reflects on a trip to Topaz, Utah in response to the Thacher Gallery exhibition Something from Nothing: Art and Handcrafted Objects from America’s Concentration Camps, August 21 – November 15, 2017.
Professor Tanu Sankalia discusses the history of Treasure Island and how earthquake risk, toxic contamination, and sea-level rise still imperil plans for large-scale, capital intensive, development on the island.
School of Management assistant professor Michelle Millar discusses sustainability in the hospitality industry and what it means to be a responsible traveler.